Paz Roble, a kind, hard-working and honest woman from whom her husband, Fermín, takes her newborn daughter. Fermín has a large debt with some lenders and to pay it he decides to sell his daughter to Mauro Nicoliti. This plagiarism is orchestrated by Geneva, Mauro's adoptive sister. She lost her first-born daughter in childbirth and does everything to replace her dead daughter and keep her husband's fortune. On the other hand, Esteban Villa de Cortés loses his wife and becomes a widower with his three children. Elvira Moncada, Esteban's mother-in-law, holds him responsible for the death of her daughter. After a series of unexpected events, Esteban and Paz meet in the neighborhood where she lives with her family. The chemistry and great understanding that exists between them makes it inevitable that they will fall in love.
A legendary late-night talk show host's world is turned upside down when she hires her only female staff writer. Originally intended to smooth over diversity concerns, her decision has unexpectedly hilarious consequences as the two women separated by culture and generation are united by their love of a biting punchline.
When fame-seeking reality show bounty hunter, Boone, attempts to bring down a drug lord and his empire, he uncovers more than he bargains for and learns that justice means more than ratings.
It had all the makings of a huge television success: a white-hot comic at the helm, a coveted primetime slot, and a pantheon of future comedy legends in the cast and crew. So why did The Dana Carvey Show—with a writers room and cast including then unknowns Steve Carell, Stephen Colbert, Louis C.K., Robert Smigel, Charlie Kaufman, and more— crash and burn so spectacularly? TOO FUNNY TO FAIL tells the hilarious true story of a crew of genius misfits who set out to make comedy history… and succeeded in a way they never intended.
Jayadevan is a most-wanted writer in the Malayalam Television industry, who pens the scripts for all major soap operas. The marriage brings in a lot of changes in Jayadevan's life and this forms the crux of the story.
While trying to expose corruption and greed, television reporter Edison Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.
Boston's V66 music video station came and went in the mid-1980s but in the 18 months on the air, it was one of the only over-the-air music video channels ever created. But even popular success didn't mean it was going to last...
Michael Grade tells a tale of television skullduggery and dirty dealings in the battle to win the Saturday night ratings crown.
Frank Cross is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life. But after firing a staff member on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.
Since childhood Peter Schlönzke dreams of a career as a TV presenter. His great role model is Heinz Wäscher, who is always looking for talented young entertainers for his popular show. Peters mother announces her shy boy for an audition, which, although mercilessly goes wrong, but brings him a job as a cable helper. He meets the popular entertainer from the unlikely side: as a bus scrapper who despises his audience. When Peter stumbles into the limelight by chance, he has a unique chance - as successor to scrubber.
A mockumentary following an ambitious TV network executive trying to produce a controversial reality show where contestants play Russian Roulette.
The King is the story of Graham Kennedy, Australia's first and greatest home grown TV superstar. It traces his rise from working class Balaclava kid, through radio, TV, film, and back to TV again. It also tracks Kennedy's personal tragedies - the loneliness, the unrealised ambitions and the terrible pressures of being Australia's first homegrown superstar in the 1950s and 60s.
Frustrated when network brass reject his sitcom idea, producer Pierre Delacroix pitches the worst idea he can think of in an attempt to get fired: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.
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