A sudden attack by Wulf, a clever and traitorous lord of Rohan seeking vengeance for the death of his father, forces Helm Hammerhand, the King of Rohan, and his people to make a daring last stand in the ancient stronghold of the Hornburg.
Get them before they get you. 22 strangers, one castle, £120k - Claudia Winkleman hosts the ultimate reality game of trust and treachery. Let the mind games begin.
The shooting of a beloved Cleveland firefighter leads detectives to uncover a shocking plot for money gone very wrong.
When Seth receives a mysterious letter inviting him to spend the weekend at a secluded mansion in the country, he soon realizes the people inside the house may know him better than he knows himself.
Manuel, a Spanish politician whose high-class lifestyle is based on nefarious and illegal business threatens to break his entire party after a newspaper exposes him to the public eye. Rather than admit to any wrongdoing, he decides to sell out his whole party in an effort to avoid jail time. It's a decision that will put many lives at risk.
El Pecado de Oyuki is a Mexican telenovela produced by Televisa in 1988. It was based on an original story by Yolanda Vargas Dulché, who also adapted the screenplay for television. The original comic book series was in the style of the foto-novela. For the role of Oyuki, the photographer selected the Mexican Japanese Sachiko Tsuchiya. Born in Tepic, Nayarit, she became the most recognizable Asian Mexican of her time. The telenovela was shown in the United States in 1988 through Univision. Dulché's story was also adapted for Brazilian television in 1967 and as a comic published starting April 11, 1975 by Grupo Editorial Vid. The Brazilian version was called "Yoshiko, um poema de amor" and starred actors Luis Gustavo and Rosa Miake.
Six high school seniors celebrating with day's excursion find themselves on rowboat attacked by man-eating fish and must decide who must be sacrificed as they fight their way back to shore.
Rufus Stone is a short film about “love, sexual awakening, and treachery.” According to Director Josh Appignanesi, “the story dramatizes the old and continued prejudices of village life from three main perspectives.
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