The employer is a young man who apparently has everything going on for him except one pressing concern: his baby’s health. The employee is looking for a job to support his newborn too, so does not hesitate when the first decides to hire him to work in his lands. Both will meet their needs by helping each other. But one day an accident happens. This unexpected event will strain the ties between them, endangering the fate of the two families.
Mario decides to tell his family the truth about himself. But when he is finally ready to come out in front of the entire family, his older brother Vicente ruins his plans.
A story about the need for tolerance through a metaphor of life - a blind man can finally see but refuses to see the world around him. A story involving a love that disappears because of the lack of understanding one another. A friendship that goes beyond all the difficulties that arise along the way. Emotion through simple situations, recognizable people, that we can find in any city in the world. A blind pizzaiolo, of Italian descent, an Argentine, from a wealthy Jewish family and a friend, the waiter, who becomes the 'eyes of the pizzaiolo.' Within this familiar environment, the story told is about the lack of understanding that exists in our world today. This is not a typical Brazilian story or from a specific place, it is a story of our time about individualism, about respect for what the other desires.
The film tells the story of a man who was born in 1959 and died in 2070, told by people who knew him and somehow contributed to his trajectory.
When the men go to war, the women also battle. This tale takes place in the XIX century, during a terrible civil war. Italy’s revolutionary leader Garibaldi must choose between two loves: a sweet aristocratic lady or a brave woman who leaves her husband to accompany him into battle. This super-production recounts the saga of women who do not go to war but must bear pain, solitude and new passions while their husbands and fathers fight the battles.
A mature and successful woman, Helena becomes involved with Edu, who is twenty years her junior. She battles prejudice in order to live her love, but their romance fizzles out when she realizes that her daughter Camila has also fallen in love with him. Her dilemma grows even worse when she discovers that the girl has leukemia. Helena must disclose the real identity of Camila‘s father in order to try and find a compatible bone marrow donor. In order to save her, she decides to give up her new love and have another baby with her daughter‘s father.
Hilário Pestana, the most famous, funniest and, ironically, saddest Brazilian actor, has died. He has passed through many stages of Brazilian cinema: the chanchadas, the Vera Cruz classics, the pornochanchadas, and even experimental movies. He was beloved by the public and had a gift for laughter, but he only desired to be a serious man.
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