Four master helmers from Korea reload the hitman flick. Vampire sleaze, assassin slapstick, neo-noir, and an avant-garde mind-bender to die (kill) for!
Two old college pals, Asai and Jiyong, make their annual pilgrimage up a mountain in the middle of winter in honor of their friend Sayuri who disappeared there 16 years earlier. However, Jiyong seriously injures his leg in the middle of a violent blizzard. Overcome by cold and pain, he asks Asai to let him die here and save his own life. First, though, he confesses to a horrible secret that has been eating away at him. He was the one who killed Sayuri that fateful day, out of jealousy. The problem, if there is one, is that Asai finds a cabin nearby that they hadn’t seen because of the blinding storm. Once inside, the murderer's confession takes on a whole new dimension, and let's just say that the elephant in the room is more of a mammoth. To say that it's going to be a long night would be an understatement.
A determined detective continues his search for the truth behind Asia's largest drug organization and its elusive boss he has unfinished business with.
Amy, adopted by an American family as a child, visits a jjigae restaurant in Jungnang-gu, Seoul. She introduces herself as a chef from the U.S. to Eunseon, the restaurant owner searching for staff after her mother passed away. Amy asks Eunseon to teach her how to make jjigae. Amy can not hide her complex feelings toward Eunseon's mother. Eunseon gradually grows suspicious about Amy.
Unearthly beings deliver bloody condemnations, sending individuals to hell and giving rise to a religious group founded on the idea of divine justice.
Currently, Sunwoo and Ikjune are lovers and co-directors of a movie. The film starts with a landscape shot at dawn. Ikjune is smoking a cigarette from the veranda of his house, looking at the village across the street. In the bedroom, Sunwoo is lying on Ikjune's bed with her eyes open. Next to them are the same movie scenarios. You can predict what they are thinking by looking at their faces. Production is half-way and the two are having a long conversation about what to shoot today as they are headed to the set. At the set, they are talking with the actors and giving acting directions. In the process, Sunwoo and Ikjune experience various feelings about love, either individually or together.
Although greatly abbreviated and simplified, and in a back-and-forth sequence, almost all of the dialogue and narration is based on words extracted from the original story. The setting of the original film (1957), in which long-distance calls are connected to a switchboard so that the recipient knows where the call is coming from, has been eliminated, and the public telephones are digital telephones installed after 1996. Other alterations include the following.
A story about a young man who expresses his unrequited first love for a girl through music and a young woman who chases after her dream despite a harsh situation.
Ordered to take down a villainous business leader who controls the city, a prosecutor gathers a team of men who may not be so clean themselves.
Yang Ik-june (born October 19, 1975) is a South Korean actor and film director. He is best known for the 2009 film Breathless, which he wrote, directed, edited, and starred in.
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