In 1984, the former mayor of a small upstate New York town was found dead in his car with a young girl. In the aftermath, his wife and his adopted daughter have to make sense of this situation, while a detective from out of town tries to solve the case.
A desperate ex-con is forced to gather his old crew for one last job to pay off his sister's debt to a dangerous local criminal.
A frenetic, punk-rock nightmare centering on one asshole of a roommate. When three twenty-somethings must deal with the incorrigible and incredibly demonic Larry, they risk life and limb in an attempt to save the soul of their once-kind-and-unassuming friend while also procuring his five-hundred dollars in back rent. Black metal, excrement, Russian gangs, bowling priests, and aborted fetuses collide in this riotous horror-comedy.
Wade has issues. He drinks too much, he bites women and he has an insatiable taste for blood. He is a loner, bound by a successful routine that has kept his vices thriving. But after a night of promiscuous feeding lands him in trouble with the locals, Wade flees to a small coastal town, vowing to change his ways and bring an end to his nomadic lifestyle.
A tale of love, lust, and radical politics in the city. Lizzy, a young woman from Eastern Europe, arrives in NYC to become an actress and finds herself working at a Russian grocery store. Soon, she meets Taja, a free minded ultra radical art performer, who wants to spread the seeds of freedom, love and anti consumerist society on the streets of NYC. Before long, Lizzy finds herself on a wild ride of desire and revolution.
In this film 9 women record themselves being alone. At times they get together as an experimental arts collective hotly debating the value of their private work and whether to do public performances. Two of them fall in love. One becomes obsessed with the other and simultaneously imagines an idealized love while the other wants her to find the revolutionary part of herself. Revolution of Everyday Life is a document of actresses playing actresses who play characters that fall in love. It is at the same time a love story that happens in the realm of fiction and in the realm of recorded reality. The result is a documentary film within a fictional one. The film becomes a site not for representation but discovery. It is a structure for things to happen, it becomes the site for performing, not acting, not re-presenting desire, but to enact it - it is a longing for politic of desire and an expression of its urgency.
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