Two down-on-their-luck singers set out to marry wealthy women but not everyone is happy to have them climb the social ladder.
The show is lyrical, exposed to social problems that have a political dimension, including that, with the love of people, we can fulfill all our dreams without the need for a chair or position, and this appears from the "Morsi" figure that Ahmed Badir embodies in a comic framework.
Tata (Sherif Negm) works as a bartender in a nightclub, and since he lives in dreams and not in reality, he is fired from work. He goes to work for his cousin Maghawri (Shaaban Abdel Rahim), a wedding singer and cinema extras, to help him get a job and discovers that he has a supernatural ability.
A farmer leaves his village with his wife to escape injustice. He starts his journey in the city,and makes a fortune by fraud. He becomes the target of a conman who runs away with his money to the US,and he follows him there to get his money back
Selim, a handsome and successful writer triggers an elaborate chain of events when he visits police headquarters to report his car stolen. There he runs into the bumbling Sergeant Fathy Abdel Ghafour, an old family friend who now works as a detective. When the meddlesome Sergeant Fathy insists on hiring a live-in housekeeper for his old friend, Selim’s life becomes inextricably intertwined with that of his beautiful new housemaid, her thieving husband and the well-meaning detective.
a young man trying to find his way to be an actor and he met with girl she also wants to be actress and they accused of murder of one director
A raucous and amazingly irreverent look at contemporary Cairo, THE ASPHALT KING centers on Sayed, a swaggering cabdriver and (to his mind) born womanizer. Embroiled in a torrid affair with a buxom neighbor, Sayed pays his best friend Ringo to keep the neighbor's barber husband busy -- but the husband, as well as Ringo, Sayed's mother, father, sister and grandfather, have their own amorous intrigues brewing. Director Oussama Fawzi has been hailed as the brightest young director to have recently emerged in Egyptian cinema.
Sha’ban was born in al-‘Assal, an area in al-Shurabiyah. He worked with his father on laundry by day while singing at weddings by night. He realized fame by singing to Ahmed Helmy’s “Atgawiz ‘Aydah”. He also became well known for singing songs that had a political air, songs such as “Bakrah Israel” (“I Hate Israel”) which caused significant clamor. Sha’ban also worked on several musical plays and on series such as “Samhooni Makansh Asdee” (“Forgive Me, I Did not Mean to”). He also sang on the film “’Afareet al-Asfalt” (“Spirits of the Asphalt”).
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