Alina, who has a harmonious and loving family, never expected that the arrival of a new nanny in her home would become a significant threat. Now, Alina is faced with the choice to let go or fight to protect the unity of her family.
K has cancer and tries to find a man for Cream because she is very afraid of being left alone. K must find a partner for Cream. Meanwhile, he must struggle in his life that is getting thinner. If he fails, then Cream will live a life of solitude.
A former soldier gets a job to rob a house, but it turns out that the house is the house of Nyai, a concubine a.k.a Gundik.
Ambar is a young mother who is forced to work in a sand mine after her husband mysteriously vanishes. But what she faces is not just the harshness of life, but also the intangible horrors that evoke old wounds and trauma.
Isa, a taciturn school teacher working for the resistance, is tasked with carrying out an assassination with the help of Hazil, a charming rebel who finds himself falling for Isa’s wife, Fatimah.
Newly married Norma hopes for a happy marriage, unaware that her husband is secretly having an affair with her mother.
Latifah's happy family life is tested when her husband passes away, leaving her to care for their child with ADHD and manage his educational foundation. Her former lover, Arman, helps with the foundation, bringing them closer until he proposes. Now, Latifah must decide whether she can accept becoming a second wife.
When their father dies on a cursed day, terror follows siblings Nuri and Yanda as they navigate myths, rituals and their older brother's protests.
Ginanti’s ride home suddenly turns uncomfortable when her taxi driver starts to talk about his sexist point of view about Ginanti’s way of life. Little do they know, the night has some surprises in store.
Mirah, a woman shunned by her village after the mysterious deaths of men connected to her, seeks refuge in a Padang restaurant owned by Bana, who falls in love with her. As more men die, Mirah discovers she’s cursed by her stepsister Puti with the deadly “Bahu Laweyan” curse, which kills any man who becomes intimately involved with her. Fueled by revenge, Mirah plans to destroy Puti’s happiness by targeting her husband. Despite the deadly curse, Mirah and Bana craft their own tragic love story, choosing to be together no matter the consequences.
Rukman Rosadi, S.Sn., M.Sn. (born March 15, 1972) is an Indonesian actor, acting coach, and director. In addition to his career in the entertainment industry, Rukman Rosadi is also a lecturer in the Faculty of Performing Arts, Master's program in Theater Arts at the Indonesian Institute of the Arts Yogyakarta. Rukman began studying acting through theater activities during his college years at the Indonesian Institute of the Arts Yogyakarta. He started his career in Indonesian performing arts by playing roles in several episodes of the television series Oh Mama Oh Papa between 1997 and 1998. In 2002, Rukman played a role in Marsinah, which was his debut film. Together with several students from the Indonesian Institute of the Arts Yogyakarta, Rukman founded the Saturday Acting Club, which conducts regular training and discussions on theater every Saturday, as its name suggests. Apart from his career in the entertainment industry, Rukman is also a lecturer in the Faculty of Performing Arts, Master's program in Theater Arts at the Indonesian Institute of the Arts Yogyakarta.
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