In 1984 a family throws a 14th-birthday party. 30 years later, they re-unite at two isolated houses in a forest, where horrific truths are uncovered about the family's occult pact with an ancient evil that's enabled their wealth and power.
N.Y. corporate Jane discovers her boyfriend John in bed with another woman, leaves building enraged and jumps into cab. Her driver is Nick. Jane and her friend Vickie have a plan - to make John jealous, they'll give Nick a false corporate identity and pass him off as Jane's new boyfriend.
Three NYC stories at a climax. Stories about breaking up, losing, leaving, giving away... the things or people you love, you live with, you depend on, which formed your past... The stories are about how difficult this is, how terrifying and how frightening. Yet, you HAVE to do what you have to do. The three girls are met at the turning point of their lives. The film is wonderful written, with few words and a great, exciting pace (though it takes its time and lot of it). Stop: there may be a lot of words, sometimes, but what's important is between-the-lines. The performances are marvellous. Style and location (all shot "on location") remind of this specific independent NYC style of Jarmusch, Poe, Seidelman, Silver, etc.
A high school basketball player’s life turns upside down after free-falling into the harrowing world of drug addiction.
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