I give a methodical account of my film work: the creation of new series (Lire, Trio, Avec Mariola), the shooting of a new feature film (Amours décolorées which will take ten years to edit) with Mariola San Martin.
The journey on the edge of an ocean of a poet, two terrorists, a film-maker, a reporter and two lovers, in search of a ship leaving for Nowhere. A ship like hope for all those who wait: the misguided, the misaligned, the displaced, the exiles that we are at certain times, that we are one day or another, a little earlier, a little later.
A European man sets up a business in Korea to deal in snuff films. The police quickly catch on to his dealings and attempt to hunt him down.
A woman is detained at La Conciergerie. She's 37 but her hair are already white. She's suffering from terrible haemorraghe. Her name is Marie-Antoinette of Lorraine, from Austria, and she's living her last four days.
Another planet in the period of medieval times. An employee of the institute of experimental history from Earth, who is send under the name of noble don Rumata of Estor as a spy with a mission to contact the local resident of the institute, arrives in the city of Arkanar. But the resident perishes under an unlucky attempt to make a palace coup, and Rumata have to take his place as the resident. Soon he meets all the horrors of the medieval society - a peasant war, palace coups, mass executions. To continue to be an indifferent watcher of all these horrors turns out to be simply impossible...
As Garibaldi's troops begin the unification of Italy in the 1860s, an aristocratic Sicilian family grudgingly adapts to the sweeping social changes undermining their way of life. Proud but pragmatic Prince Don Fabrizio Salina allows his war hero nephew, Tancredi, to marry Angelica, the beautiful daughter of gauche, bourgeois Don Calogero, in order to maintain the family's accustomed level of comfort and political clout.
Pierre Clémenti (28 September 1942 – 27 December 1999) was a French actor. Born in Paris, Clémenti studied drama and began his acting career in the theatre. He secured his first minor screen roles in 1960 in Yves Allégret's Chien de pique performing alongside Eddie Constantine. Arguably, his most famous role was that of gangster lover of bourgeois prostitute Catherine Deneuve in Belle de jour, the 1967 classic by Luis Buñuel, in whose film La voie lactée he played the Devil. He appeared in several highly regarded films of the period, working with many of Europe's best known directors, including Luchino Visconti (The Leopard), Pier Paolo Pasolini (Pigsty) and Bernardo Bertolucci (The Conformist and Partner). Other directors he has worked with are Liliana Cavani, Glauber Rocha, Miklós Jancsó and Philippe Garrel. In 1972, his career was derailed after he was sentenced to prison for allegedly possessing or using drugs. Due to insufficient evidence, Clémenti was released after 17 months; later he penned a book about his time in prison. After his release he played the role of ever-optimistic sailor of the Potemkin in Dusan Makavejev's scandalous movie Sweet movie, and the role of the seductive saxophone player Pablo in Fred Haines's film adaptation of Herman Hesse's novel Steppenwolf. Throughout his career, he continued to be active on-stage. He was also involved with the French underground film movement, directing several of his own films, which often featured fellow underground filmmakers and actors. Visa de censure no X was an experimental work made up of two of films. New Old was a feature length work released in 1978 in which Viva appeared. La Revolution ce ne'est qu'un debut, continuons le combat, followed by In the shadow of the blue rascal and Sun. He died of liver cancer in 1999 Description above from the Wikipedia article Pierre Clémenti, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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