"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.
A kidnapped bride. A distraught hero. Odysseys through surreal worlds. Menandros and Thaïs are freshly married, but the wedding day ends bloodily. Thaïs is abducted by pirates. Searching for her, the bridegroom becomes a bloodthirsty monster, his horse grows wings, a witch promises him to another woman, King Xerxes unmans him, but everything comes to an happy end. Or does it?
Based on real characters and events, this haunting drama focuses on the personal sacrifice of a Prague history student, Jan Palach, who set himself on fire in protest against the Soviet occupation of Czechoslovakia in 1969. Dagmar Burešová, a young female lawyer, became part of his legacy by defending Jan's family in a trial against the communist government, a regime which tried to dishonour Palach’s sacrifice, a heroic action for the freedom of Czechoslovakia.
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