Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?
In the late 1960s, when the young Jewish businessman’s son Victor Dessauer fails to secure just punishment for the Nazi concentration camp commandant who tortured his parents, he resolves to take the law into his own hands.
Genoveva’s 16th‐century Munich family is murdered and her home burned. Violated by masked killers, she vows vengeance. She turns to friend Ernst, unaware he aids her family’s traitors, and to Walpurga, whose true motives shock her. Can she still enact her revenge?
It is the late 1950s. Flourishing under the economic miracle, Germany grows increasingly apathetic about confronting the horrors of its recent past. Nevertheless, Fritz Bauer doggedly devotes his energies to bringing the Third Reich to justice. One day Bauer receives a letter from Argentina, written by a man who is certain that his daughter is dating the son of Adolph Eichmann. Excited by the promising lead, and mistrustful of a corrupt judiciary system where Nazis still lurk, Bauer journeys to Jerusalem to seek alliance with Mossad, the Israeli secret service. To do so is treason — yet committing treason is the only way Bauer can serve his country.
Delving deep into the soul of one of Austria’s most infamous real-life convicts, Jack is a fascinating, unprejudiced look at the path to redemption and the obstacles that bar the way.
A story about of one of the darkest periods in German history, an era in which the belief in occult forces was widespread. In Bamberg, witch hunts were fostered by a greedy and delusional Bishop Prince and reached their peak around 1630. This Bamberg ruler used the witch trials to purge his political enemies and enrich himself with their goods. Almost 1000 innocent men, women and children became his victims. BURNING SOULS deals with the era seen through the eyes of Johanna Wolff, a pharmacist's daughter, and the young physician Cornelius Weinmann. To save the innocent, he and a few courageous men revolt against the Bishop Prince.
Did the Nazis ever see Charlie Chaplin's 'The Great Dictator'? Yugoslavia, 1942 - The young Serbian projectionist Nikola Radosevic decides to teach the German oppressors a lesson they won't forget. The beginning of a true and astonishing World War II resistance story.
A thriller about a maniac murderer who to the outside world is a celebrity TV presenter. His beautiful assistant, a woman who has fallen off the career ladder, is terrorized by him. A job-hunting animation artist gets caught in the world of glitter and glamour of the TV industry. Drugs and promiscuity are omnipresent. The animation artist falls in love with the assistant and his love is returned; together they uncover the true identity of the killer. Murderous Decisions is a special experiment: an interactive zap-movie, leaving it up to the viewer whether they follow the story from the male or female perspective. The movie is one of a kind, actually being two movies aired simutaneously on separate TV channels and allowing the viewer to switch back and forth at will.
Hanna and Leo are expecting a child. They live near Innsbruck where the mountains touch the sky and where absolute bliss seems to reign. But things turn out quite differently.
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