Gao Yunlong (阮颂扬饰), a special agent of the Shenzhou Bureau, was ordered to enter the Ming Dynasty. He was looking for the colleague Cao Xiaomei (Chen Jiaxuan) who had already gone before, and traced the conspiracy of time and space disruption. At the same time, he helped to fall into the dispute between Donglin Academy and Dongchang. The members of the Donglin Academy were murdered one after another. However, there was no clue to the search of the murderer. The eldest brother of the college, Ye Jingqing (Song Tingyi), finally confessed to the imperial court, letting the emperor go to the police to confuse the people and directly point to the East Factory. At this point, a vast sensation ended in justice, and Gao Yunlong stayed in the Ming Dynasty to continue his career.
A sudden storm causes Chung Ting-Kwok, a guerrilla fighter during the Second Sino-Japanese War, to awaken after being frozen for over seventy years. He discovers that he is now in the year 2018. He searches for his family, only to see his descendants behaving badly. His son Ho Woh-Ping is fraudulently on welfare, while his grandson Ho Wing-Nin uses feng shui to deceive people for money, yet Ting-Kwok is unable to correct them. From covering up the truth of murder to getting caught up in a battle for money, Chung Ting-Kwok vows to save his family at any cost.
A couple (Jian RenZi and Andrew Lin) who has been unsuccessfully trying to have a child for a few years, and decides to resort to an old Chinese fertility ritual, that of the “primer”: to temporarily adopt a child, who will open the way for their own progeny. They adopt a quiet 7-year-old girl (Wang Yifei) at an orphanage whose supervisors (Hui Shiu Hung and Pat Ha) are obviously not telling them everything. The adopted child is silent, asocial and constantly draws disturbingly dark pictures of her previous family. It doesn’t help that her new mother is beset with strange visions that threaten her sanity.
A haunted theatre, filled with the vengeful spirits of a tragically-trapped performance troupe murdered in a fire 13 years ago, waits for the once-grand palatial playhouse to re-open with a new show - and bring in new victims.
When the women of her time had their feet bound to please men, Qiu Jin was already questioning the sexual inequality of feudal traditions. Free-spirited and well-educated, she grew up practicing martial arts and was as well versed in poetry as she was in sword-fighting. When this rebellious girl moved to Beijing with her husband, she witnessed how her country was raided and ravaged by foreign powers. With the encouragement of her neighbor Wu Zhiying, the wife of righteous magistrate Li Zhongyue, Qiu Jin left her family behind to pursue study in Japan. There, she met some like-minded schoolmates who shared her ideals, including revolutionary leader Xu Xilin, and secretly joined his anti-Qing cause. After returning to China, Qiu Jin participated in the uprisings staged by Xu Xilin, leading a small group of hot-blooded students against the armed forces of the corrupt Qing government...
When a rich middle-aged housewife discovers that her husband has been cheating on her she goes out with two friends to a male brothel in mainland China. There she meets male gigolo Bill. Her friend also has an eye for Bill.
The Return of the Condor Heroes is a Taiwanese television series adapted from Louis Cha's novel of the same title. It was first broadcast on TTV in 1998 in Taiwan.
Pat Ha Man-Jik Chinese: 夏文汐; pinyin: xià wén xī) (born 21 November 1965) is a Hong Kong actress. She has been called as the first generation of heroic women in Hong Kong
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