A 16-year-old young man, a budding rock enthusiast, spots a beautiful guitar but soon finds he doesn't have enough money. In vain, he asks his parents to help him. Eventually he tries to raise the necessary funds on his own. This is a not very believable normalisation morality tale, which was supposed to guide teenagers towards desirable patterns of behaviour.
The film tells the story of an enthusiastic young man who joins a textile factory in the late 1950s and assumes that a promising career awaits him - the protagonist is therefore constantly comparing himself to his favourite literary model, the equally ambitious Julian Sorel from Stendhal's fresco The Red and the Black. The result, however, lacks the necessary conviction, the ability to draw the viewer into his world, and remains too contrived, as the chosen period has become a mere non-committal backdrop for amorous games.
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