A joyful shot recorded by Weerasethakul himself and two young men who become acquainted by filming each other in the back of a moving pickup truck. Though seemingly playful, the short film is a subtle portrait of migrant workers in the north of Thailand.
Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.
A recreation of an event to commemorate the presence of the dead and the decayed memories of the living, of filmmaking
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