In 1979, when Margaret Thatcher's first government breaks a promise to establish a Welsh language television channel, a wave of civil disobedience follows. One man - Gwynfor Evans - threatens to starve himself to death unless the government comes good on its manifesto pledge. The reimagining of one of the most colourful chapters in contemporary Welsh history.
Already deep into a second Cold War, Britain’s Ministry of Defense seeks a game-changing weapon. Programmer Vincent McCarthy unwittingly provides an answer in The Machine, a super-strong human cyborg. When a programming bug causes the prototype to decimate his lab, McCarthy takes his obsessive efforts underground, far away from inquisitive eyes.
The National Gallery in London has flooded, and senior curator Quentin Lester has a dramatic solution. He proposes that the entire collection of priceless paintings should be removed from London and stored in an abandoned slate mine inside a Welsh mountain, as they were during the Second World War. Soon after Quentin is settled in North Wales admittedly more at home in a cave among his paintings than he is with other people he unwittingly sets in motion a series of events that wake up this sleepy, charming town. After mistaking local boy Dylan Hughes for an art history genius, Quentin finds himself in the middle of mayhem.
Julie Walters stars as a mother dealing with the impact of the sudden murder of her 21 year old son. Each episode follows her story and also focuses on specific characters whose lives are transformed by the event – the journalist who is covering the story; the Indian newsagent who used to sell the victim his fags; and the passerby who happened across his body.
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