Béatrice Dalle, Lio, Brigitte Fontaine, Corinne Masiero, Aïssa Maïga, Virginie Despentes, Maria Schneider, Gisèle Halimi, Juliette Gréco, and Adèle Haenel—these women lived on their own terms, defying conventions and embracing lives often deemed "scandalous." Labeled frivolous, hysterical, or simply too free and too loud, they faced criticism yet used controversy as a force for change, challenging norms and advancing women's rights. This documentary retraces seventy years of their bold and unconventional journeys, telling the story of the fearless women who shaped history and fought for a more equal world.
Why did Simenon, a novelist who contributed so much to the seventh art, like to say that he hated the cinema? Because he could never become a director? Because, claustrophobic, he was unable to lock himself in a projection room? Clearly, there is an affair between the writer and the cinema and Georges Simenon is the main protagonist. An investigation that is more than ever topical as Patrice Leconte has announced his plan to adapt an investigation by the famous Inspector Maigret.
A story of friendship between a young convict who is forced to work in a retirement home and a group of crazy old people. Together they organize their escape.
The story of Fantômas, the first villain of modernity, from his birth in 1911 as a novel character to his contemporary vicissitudes, passing through Louis Feuillade, André Hunebelle, surrealism and Moscow.
The film "Camping", directed by Fabien Onteniente in 2006, with Franck Dubosc, Gérard Lanvin and Mathilde Seigner, was a popular success. Here is a look back at this adventure, from the filming to its reception by the public. This documentary lifts the veil on the ingredients that have made "Camping" a cult fiction and intergenerational. Franck Dubosc, Mathilde Seigner, Antoine Duléry, Michel Laroque, Elie Semoun, Gérard Jugnot, Claude Brasseur and Mylène Demongeot talk about the behind-the-scenes experience. Close
Laurent Terzieff was more than a good actor, after having been a real "star" in the cinema, through his professional choices, he gradually became a real "conscience of the theater", so much had he thought about his art. He received six Molière awards and was always unanimously praised by his peers. “THE GHOST OF LAURENT TERZIEFF” is a daring portrait, as it explores in depth “the secrets of a soul” and the atypical journey of the actor.
Follow in the footsteps of burlesque actor Pierre Richard, a key figure in French cinema in the 1970s and 1980s.
Claire is a midwife and has devoted her life to others. At a moment when she is preoccupied by the imminent closure of the maternity clinic where she works, her life is further turned upside down when Béatrice, her father's former mistress, turns up on the scene. Béatrice is a capricious and selfish woman, Claire's exact opposite.
Mylène Demongeot (born Marie-Hélène Demongeot; 29 September 1935 – 1 December 2022) was a French film, television and theatre actress and author with a career spanning seven decades and more than 100 credits in French, Italian, English and Japanese speaking productions. Demongeot became a star at age 21 with her portrayal of Abigail Williams in The Crucible (1957) which garnered her a BAFTA Award for Most Promising Newcomer to Leading Film Roles nomination and the best actress prize at the socialist Karlovy Vary International Film Festival. Some other notable film roles include Elsa in Otto Preminger's Bonjour Tristesse (1958), alongside Deborah Kerr and David Niven, and as Milady de Winter in Les Trois Mousquetaires (1961). A "veteran of cinema" who started as one of the blond sex symbols of the 1950s and 1960s, she managed to avoid typecasting by exploring many film genres including thrillers, westerns, comedies, swashbucklers, period films and even pepla, such as Romulus and the Sabines (1961) opposite Roger Moore or Gold for the Caesars (1963). Demongeot also has a cult following based on the Fantomas trilogy, as Hélène Gurn opposite Louis de Funès and Jean Marais: Fantômas (1964), Fantômas Unleashed (1965) and Fantômas Against Scotland Yard (1967). Thirty years later, she starred again in another one of France's most successful comedy trilogies as Madame Pic in Fabien Onteniente's Camping (2006), Camping 2 (2010) and Camping 3 (2016). She was twice nominated for Best Supporting Actress at the César Awards for 36 Quai des Orfèvres (2004) and French California (2006). In 2007, she was made a Commander of the Ordre des Arts et de Lettres of the French Republic. In 2017, she was inducted into the Légion d'Honneur by ethologist and neurologist Boris Cyrulnik, with the rank of Chevalier. She remained popular until her passing from peritoneal cancer. At the time of her death, she was starring in Thomas Gilou's film Maison de retraite (2022) alongside Gérard Depardieu, one of the biggest box office hits of 2022 in France. Through an Élysée Palace official tribune, President Emmanuel Macron paid a long tribute to her which included : "we salute the career of a great figure in the French Seventh Art, who knew how to shine in all its genres to move all French people". Demongeot was born in September 1935 in Nice, Alpes-Maritimes, the daughter and only child of Alfred Jean Demongeot, born Nice, 30 January 1897 (himself the son of Marie Joseph Marcel Demongeot, career soldier, and Clotilde Faussonne di Clavesana, an Italian contessa) and Claudia Troubnikova, born 17 May 1904 in Kharkiv (Ukraine, Russian Empire). Her parents, both actors themselves, had met in Shanghai, China, where her half-brother, Léonid Ivantov, from the first marriage of her mother, was born, in Harbin on 17 December 1923. Like hundreds of other major European figures of stage and screen, she trained at the 'Cours Simon' in Paris where her classmates included Jean-Pierre Cassel, Claude Berri and Guy Bedos. She was a classically trained pianist and her first ambition was of becoming a professional. ... Source: Article "Mylène Demongeot" from Wikipedia in English, licensed under CC-BY-SA 3.0.
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