Hayalimdeki Sahneler aims to explain and analyze scenes from 3 heavily queer coded Turkish films from 80s.
Hasmet, director of love stories, wants to make a film which is different than the movies he made before. This movie has a social message. He tries to find a producer but film industry is mainly out of money. When he thinks he finds one, nothing goes as it planned.
A man and woman meet during the identification of their spouses' dead bodies, following a car accident. It turns out that the they had an affair with each other. Feelings like jealousy, shame, wrath that struck them at the beginning, leave their place to understanding. The man and the woman start seeing each other. First, they hesitate to start an affair, yet later they cannot control their feelings. They unite in a love affair, not caring about the values and judgments of the people around them.
Üftade has long been the object of men’s fury. Her only hope is to marry the young man she is in love with and escape her traumatic life in the home of her abusive stepfather. However, when her lover suddenly leaves her, Üftade's despair increases exponentially and she begins to lose her mental balance due to the traumas of her childhood.
Serap is a successful theater actress. Although she rejects the traditional roles assigned to women in her personal life, she agrees to play the role of a traditional housewife in a shampoo commercial. However, she is unaware that this commercial will turn into her worst nightmare.
The film tells the story of an old husband Hüsrev and Melek, who was first a servant and then his wife. With this marriage Hüsrev’s subconscious hidden passions are revealed.
Müjde Ar (born 21 June 1954) is a Turkish actress. in the 1980s, she became an unforgettable actress of women's films that liberated women's identity in cinema with the films she starred in, and brought a different perspective to women's sexuality; she ensured that the representation of women in Turkish cinema changed.
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