In the 12th century, Buddhism was still a relatively new religion in Japan. At that time, one school (Shingon) offered extensive training in complex and very demanding practices which might eventually bring about spiritual purification and realization. Various Zen schools offered students a lengthy path, literally composed of a blank wall and unceasing meditation. Yet another school (Tendai) emphasized complex metaphysics and the study of philosophical systems. Basically, all of them were designed to cater to the few who were able to give up everything else in their lives and focus on liberation, such as scholars and noblemen. In this historical and biographical drama, this is the situation that the young Shinran (1173-1263) discovered when he began exploring Buddhism as an alternative to the violence and ceaseless civil wars that racked Japan at the time.
Miki Odagiri (小田切美喜) was known primarily for her important and timeless role as the upbeat office girl in Akira Kurosawa's classic Ikiru opposite Takashi Shimura, whose character is dying of cancer, and Miki, as Toyo Odagiri, inspires him to live... just by being herself: bubbly, spontaneous, and optimistic. Her character is also filled with blunt sarcasm that was extremely rare in movies of the early-1950's. Perhaps Miki and Takashi's most memorable scene is when she's telling him the nicknames she created for their fellow workmates... including his! Sadly, beyond Ikiru, finding the handful of other Japanese movies she appeared in, especially on DVD or Blu Ray, is extremely difficult. But she left an impression in what's considered not only one of the legendary Kurosawa's greatest achievements, but one of the best movies ever made, worldwide.
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