A film about love, also a memoir, about the trip made in the 1970s to Morocco by Jarda Ícone, an artist, sexologist, and octogenarian rocker, as she defines herself, and Lírio Terron, a human rights activist. In fact, a journey that is not over in their lives. Jarda Icon teaches classes on how women can obtain their own orgasm. With her group of disciples and friends Ana Brasil, Sheyla Fernanda, Caroline Sylvie and Lakshmi she develops self-sustainable feminist and artistic projects. The film is political, but not at all politicized in the traditional sense. It is an ode to the underground and counterculture movements, it is a hymn to freedom, and its title is also a tribute to Oswald d Andrade, one of the main names in Brazilian modernism.
A projectionist at a porn cinema in downtown São Paulo, makes his first film in Super8, an essay about the failure of a lifetime. The scenes from the films you watched intersect with the new images they capture, fiction and reality blending together, weaving a bridge between the past and the present.
This film seeks to rescue the role of filmmaker Neville D'Almeida by using many rare images, numerous interviews, vast archival and audiovisual material.
There are three friends in their fifties who, unable to have conventional relations with women, always call girls to call them to keep them company. They are the subjects who were born in the 60s, with all the explosions of rebellion and the search for freedom.
A film in which dream and reality intertwine, A Moça do Calendário tells the story of inácio, 40, married, without a permanent job. Ex-street sweeper, he works as a mechanic at Barato da Pesada, where he dreams of the calendar girl.
Young directors are filming “The Exhibitionist” in the middle of a farm in a paradise-like region. The film poetically investigates the Brazilian soul, with the Amazon as the center of the world, reflecting on existential issues, the right to sexual freedom and individuality.
A group of playboys organizes the last party of the year in a slum before the change in weather. And for this night, beyond the usual drugs, alcohol and sex, they will receive special guests: an addict that uses and is used by the group, a country singer who was raised around the slum, a strange security guard and the owner of the place.
A document of one of the greatest cultural events of Latin America in an innovative way, the film mixes documentary and fiction to pay homage to the artists of the contemporary Brazilian theater, who come together in the city of São Paulo every year to celebrate the coming of the spring. The fictional storyline shows the shooting of the documentary which is directed by a foreigner director and his Brazilian second-rate crew. They join forces to make a successful film based on the event.
On mythical Augusta Street, in San Paulo (Brazil), a journalist who seeks answers for his angst dives into the world of prostitution and neo-Shamanism rituals.
Mario Bortolotto (Londrina, 1962) is a Brazilian actor, director, playwright, writer and composer.
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