Reporter Julião Siqueira, tired of being a joke at the station he works for, teams up with cameraman Yasmin to investigate a human trafficking complaint involving drag queen Lohanny and Nordrags agency. For this, the two will head into the world of Drag Queens.
Elias is a handsome young deputy manager in a garment factory in São Paulo. When he’s not working, he enjoys casual encounters in the big city. The arrival of a young African, Fernando, on the production line piques his interest and Elias finds himself increasingly drawn into socialising with his work colleagues.
Portraying the drag scene in São Paulo, the film presents the transformation of marginalized status to the drag queens mainstream and features testimonials and presentations by national artists and former participants of RuPaul's Drag Race. More than characters in the entertainment of the night, drag queens show that the plurality of art has no limits.
The starting point of Inferno is the current construction of the third Temple of Solomon (Templo de Salomão) in São Paulo by a Brazilian Neo-Pentecostal Church, the Universal Church of the Kingdom of God (UCKG), founded in Rio de Janeiro in the late 1970s with millions of adherents in Brazil and internationally. Built to biblical specifications, this new temple will be a replica of the first temple in Jerusalem, the violent destruction of which signalled the diaspora of the Jewish people in the 6th century BCE.
Ten years after the end of the dance music duo Verona, Elias come back to Brazil to meet his former partner, Walter, who is going to marry the young and talented Filipe. Walter lives in a countryside house, where he celebrates the end of his youth and the beginning of a new moment in his life.
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