At an old manor house in northern Portugal, Ana helps her friend, Emília, the elderly housekeeper who is determined to continue to keep the unoccupied house in order for the owners who are never there. As the seasons turn, Mónica, Ana's daughter, challenges her mother's choices and the three generations of women search to understand where they belong in a world that is rapidly fading, where the cycle of life is renovated only through inevitable endings.
Fiction is never very far from reality. A young man, of Portuguese heritage, decides to do a PhD based on the documentary The Good People of Portugal, a work from 1980, also directed by Rui Simões. This opens the door to a parallel between the reality of the film we see and that of PREC, the moment of the studied documentary and the contemporary world, with the young Michel in between.
Vargas is an undercover agent whose mission is to capture a group of robbers. The robbery of a jewelry store will be the ideal moment to catch them in the act. After a conversation with Ricardo, one of the group's members, Vargas questions his view of the enemy, making the mission much more difficult.
Bruno Aleixo was invited to write a biopic about his own life. Lacking ideas, he decided to ask his closest friends for inspiration. Reunited in a cafe, each of his friends suggests a different idea, more or less biographical.
The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.
X, a film location scout, spend his time travelling from place to place looking for filming locations, at the same time that he's looking for funding for the film he wrote himself. In the middle of nowhere, as in the nowhere of his life, he stumbles on Y, the woman for whom he has been waiting all his life.
Lisbon, Portugal, 1927. The writer and journalist Fernando Pessoa accepts from his boss the commission to create an advertising slogan for the drink Coca-Louca; but conservative government authorities consider the new drink as revolutionary as it is diabolical.
Director Manuel Mozos draws an intimate portrait of João Bénard da Costa, programmer, critic, actor and, for 18 years, director of the Portuguese Film Museum, who passed away in 2009.
Scheherazade narrates three more tales, supposedly selected from the 470th, 484th and 497th nights of her ordeal: “It hath reached me, O auspicious King, that a Judge will cry instead of giving out her sentence. A runaway murderer will wander through the land for over forty days and will teletransport himself to escape the Guard while dreaming of prostitutes and partridges. A wounded cow will reminisce about a thousand-year-old olive tree while saying what she must say, which will sound none less than sad!
Manuel Mozos (born June 1959, in Lisbon) is a Portuguese film director. Mozos studied history and philosophy before enrolling at the School of Theatre and Cinema, where he specialized as an editor. He was responsible for the editing of several films, and in 1989, he directed Um Passo, Outro Passo e Depois... In 1992, he directed his first feature, Xavier. Since then he has also directed several documentaries and video clips, including 4 Hearts, produced and released by Rosa Filmes.
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