The aim of the series is to objectively present all the aspects and consequences resulting from the act of murder, thereby contributing to the culture of non-violence in the society.
About a mentally disabled village simpleton, who is always ready to be of assistance to anyone who needs it, fixing things around the house or doing other manual jobs. In his humorous encounters with people - some friendly, others openly hostile - Oto frequently finds himself in situations that accentuate the fact that he is different, all the while patiently putting aside the pittance he gets from his "clients".
The focus is on the disintegration of an idyllic relationship between parents, Marko and Dunja. This is due to a lack of respect, caused by loss of employment and a financial breakdown. In time, the parents are no longer able to bear their burden, which is thus increasingly weighing their children down. In Slovenia, the story from The Basics of Killing occurs on a daily basis, but it could happen anywhere. To those familiar with the phenomenon, the film will be a painful experience, to others, may it be a warning.
An original Slovenian series that will take us to an idyllic world by the Krka river. The central characters of the series are Irena Rot and Rok Slak, a charming photographer from the city and a nice carpenter from Dolenjska. Their path to happiness will be anything but easy. In a seemingly idyllic village, suspicious things begin to happen, namely someone incites fires and sows fear in the bones of the villagers and firefighters. It seems that some can't wait to stretch their claws around the necks of romantic couples, but it's the fire that ignites the first sparks of love.
Story is based on a novel of the first Slovene female writer from the 19th century when also the story of the film is set. It's a never-ending and forever repeating story of neighbors, who can not reconcile. As they need the fight to stand out for their position of "neighbors", as that's the ultimate and only role of people living next to each other being called neighbors.
Three almost middle-aged men decide to open up a pizzeria in the neighbourhood of Šiška in Ljubljana.
Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.
What do you do when suddenly in your mid twenties you realise that your life has become a routine which consists of a monotonous nine to five job on weekdays and equally predictable Friday night parties?
The city of Maribor before the Second World War, and Maribor after its liberation mark the period in which the film Cafe Astoria is set. The story relates with a gentle melancholy and a slight irony the lives of a middle-class family: the cafe owner, his wife and their son. Through their individual destinies we become acquainted with the social and historical background of a by-gone era; the social and national differences of pre-war Maribor, divisions among the wealthy and poor, and nationally minded Slovenes and fanatic Germanophils. The first year after the war introduced the absurd characteristic cruel measures of the so-called revolutionary social transformations in which calamity and coincidence intervene, resulting in events of comic nature, of course, as seen from a safe distance of fifty years.
The reconstruction of creation of an influential avantguarde movement called "Novo Mesto Spring" that arrived on Slovenian cultural scene during 1920s. Within this movement worked significant local artists such as composer Mario Kogoj, painter Rihard Jakopic, poet Danijel Bohoric and many others.
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