Jazz and decolonization are intertwined in a powerful narrative that recounts one of the tensest episodes of the Cold War. In 1960, the UN became the stage for a political earthquake as the struggle for independence in the Congo put the world on high alert. The newly independent nation faced its first coup d'état, orchestrated by Western forces and Belgium, which were reluctant to relinquish control over their resource-rich former colony. The US tried to divert attention by sending jazz ambassador Louis Armstrong to the African continent. In 1961, Congolese leader Patrice Lumumba was brutally assassinated, silencing a key voice in the fight against colonialism; his death was facilitated by Belgian and CIA operatives. Musicians Abbey Lincoln and Max Roach took action, denouncing imperialism and structural racism. Soviet Premier Nikita Khrushchev intensified his criticism of the US, highlighting the racial barriers that characterized American society.
An intimate and revealing look at the world-changing musician, presented through a lens of archival footage and never-before-heard home recordings and personal conversations. This definitive documentary honors Armstrong's legacy as a founding father of jazz, one of the first internationally known and beloved stars, and a cultural ambassador of the United States.
Pull back the curtain on the remarkable history of six decades of James Bond music, from Sean Connery’s Dr No through to Daniel Craig’s final outing in No Time to Die.
Arguably Russia’s most famous folk song, Dark Eyes has captured hearts around the world for the past 100 years. This portrait explores the song’s somewhat controversial history, its musical versatility and its cultural relevance. Performances by Louis Armstrong, Frank Sinatra, Liberace, a 13-piece orchestra and a Russian folk group make it clear why Dark Eyes has stood the test of time.
First broadcast on the centenary of his birth, legendary jazz trumpeter and vocalist Louis Armstrong in performance.
The Cold War and Civil Rights collide in this remarkable story of music, diplomacy and race. Beginning in 1955, when America asked its greatest jazz artists to travel the world as cultural ambassadors, Louis Armstrong, Dizzy Gillespie, Duke Ellington and their mixed-race band members, faced a painful dilemma: how could they represent a country that still practiced Jim Crow segregation?
Bing Crosby was, without a doubt, the most popular and influential multi-media star of the first half of the twentieth century, pulling audiences in with his intimate, laid-back voice and innate charm. Narrated by Stanley Tucci and directed by Robert Trachtenberg, this film explores the life and legend of this iconic performer, revealing a personality far more complex than the image the public had only thought they'd known.
A journey into the BBC archives unearthing glorious performances and candid interviews from the golden age of jazz. Featuring some of the greatest names in American music, including the godfather of New Orleans jazz Louis Armstrong, the King of Swing Count Basie, Duke Ellington, Oscar Peterson, Dizzy Gillespie and Ella Fitzgerald.
Jazz is a ten part series that explores the evolution – and the genius – of America’s greatest original art form, focusing on the extraordinary men and women who could do something remarkable – create art on the spot. Jazz celebrates their profoundly enduring, endlessly varied, and infinitely alluring music in the context of the complicated country that gave birth to and influenced it, and was in turn transformed by it.
Louis Daniel Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. Coming to prominence in the 1920s as an "inventive" cornet and trumpet player, Armstrong was a foundational influence in jazz, shifting the music's focus from collective improvisation to solo performance. With his instantly recognizable deep and distinctive gravelly voice, Armstrong was also an influential singer, demonstrating great dexterity as an improviser, bending the lyrics and melody of a song for expressive purposes. He was also greatly skilled at scat singing, vocalizing using sounds and syllables instead of actual lyrics. Renowned for his charismatic stage presence and voice almost as much as for his trumpet-playing, Armstrong's influence extends well beyond jazz music, and by the end of his career in the 1960s, he was widely regarded as a profound influence on popular music in general. Armstrong was one of the first truly popular African-American entertainers to "cross over," whose skin-color was secondary to his amazing talent in an America that was severely racially divided. It allowed him socially acceptable access to the upper echelons of American society that were highly restricted for a person of color. While he rarely publicly politicized his race, often to the dismay of fellow African-Americans, he was privately a huge supporter of the Civil Rights movement in America. Description above from the Wikipedia article Louis Armstrong, licensed under CC-BY-SA, full list of contributors on Wikipedia
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