Death of his wife's pet poodle and a threatening movie producer create a world of trouble for a middle-aged B-movie mogul. He hires two psychopathic goons to take care of it, which only creates more trouble and attracts the cops.
Two friends an actor and a chef discover a plot to fix a horse race and try to capitalize on it. But also have to deal with the two men who fixed it who are trying to silence them. And there's also the mob boss whom the two guys work for who planned the fixing thing whose wife is having an affair with the actor.
P.K., a former movie star now reduced to working as a stripper in a Las Vegas nightclub, is desperate for a comeback, and thinks she could make one if she could only get a big-name star to appear in a movie with her. She relates all these problems, and many of her fantasies, to her psychiatrist, and also approaches several entertainers working in Las Vegas to try to get them to help make her dream come true.
As a kid in the 1930s growing up in a tough New York neighborhood, kinetic wiseguy Larry Storch took in the multi-ethnic flavor of his surroundings and started blurting out various accents as a juvenile to provoke laughs and earn attention. Little did he know that this early talent would take him on a six-decade journey as a prime actor and comedian. Larry's gift as an impressionist paid off early as a teen in vaudeville houses. Following military duty during WWII as a seaman (1942-1946), a happenstance meeting with comedian Phil Harris in Palm Springs led to an opening act gig at Ciro's for Lucille Ball's and Desi Arnaz' show. From there he received his biggest break yet on radio with "The Kraft Music Hall" when he was asked to sub for an ailing Frank Morgan. Larry not only delivered his patented star impersonations, he did a devastating one of Morgan himself that went over famously.
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