In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.
As a young boy, future emperor Nero witnesses the mad Emperor Caligula kill his father and exile his mother. While in exile in the pontine islands, Agrippina, his mother, sees a vision telling her that her son can become emperor, but she will have to die first. She accepts the proposal. Back in Rome, Nero, now being raised by emperor Claudius after Caligula's death, Agrippina returns. She poisons Claudius' food and Nero becomes emperor. At first, Nero cuts taxes and introduces successful programs and invades Brittania. Soon he meets a beautiful slave named Claudia Acte, and marries her, throwing off his engagement with Claudius' daughter, Claudia Octavia, telling her she can marry someone she will be happy with. Heartbroken, she arrives at an island and kills herself. Nero enjoys being married to Claudia Acte, but soon he gradually goes mad with power and sets fire to Rome.
The protagonist, Franz, copies the paintings of old masters. He slowly loses his sense of reality, resulting in angst-ridden fantasies and a desire for self-destruction. Franz has an uphill battle with the loss of values and spread of capitalism around him. He rejects advertising to the point of destroying its manifestations.
A movie about the possibility to be happy—or about the impossibility of the same. A young man interviews people on the street. He asks them about the substance of their lives in order to find answers for himself, but he cannot find any. Then, a young woman: after a couple of disappointments, she finds the happy side of life—she finds something like love. They meet each other…
In the summer of 1807, Clemens Brentano stumbles into the most extreme love affair of his life. The woman, who, aged barely 17-years-old, throws herself at him with such terrifying brutality, is called Auguste Bussmann.
71 scenes revolving around multiple Viennese residents who are by chance involved with a senseless gun slaughter on Christmas Eve.
We are introduced to seven different people during the course of 20 minutes. What at first appears arbitrary gradually combines to make a whole, specifically integrated for the nineties.
Georg works up at the highway. He collects the toll from the tourists; he collects the toll from the truck drivers. All of Europe has to go by him. Below, in the shadow of the mighty bridge, Georg lives with his parents in an old farmhouse with its empty stall. Georg makes a career for himself. And then, he falls in love with a young farm woman. He must decide between love and his job.
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