Natsuki, a young woman working for a publishing company, receives an anonymous postcard with a picture of Mt. Everest printed on the back. It reminds her of her brother Kenji, a well-known mountain climber who went missing 2 years ago attempting to climb Everest, who she hasn’t seen in 10 years. Why did Kenji ever go to the mountain? What kind of person was he? Natsuki realizes she doesn’t know her brother at all, but she believed the postcard to be sent by him, and decides to got to Everest to find the answers to her questions.
In 2008, an indiscriminate killing which shocked the whole world was carried out in the street of Akihabara. Director Yûsaku Matsumoto was inspired by the Akihabira killing to look at random acts of violence occurring in Japanese society and exploring the aftermath of one such occurrence, and the building-up to another one. By following several people—perpetrators, victims and family of both alike, he tells a human story about inhumane acts.
In Fly Me to Minami, Lim’s fourth feature film and follow-up to his Stateless Trilogy, two transnational love stories intersect. The first of these stories is between Sherine, a fashion magazine editor from Hong Kong, and Tatsuya, an amateur photographer in Osaka. The second is between Seol-a, a Korean flight attendant, and Shinsuke, a married Korean-Japanese shopkeeper in Osaka’s Korea Town.
Baton is a collection of three 20-minute Sci-fi anime films dedicated to the 150th anniversary of the establishment of Yokohama city. On Planet Abel, human-like robot Apollo (Ichihara Hayato, Rookies) and robot-like human Mikaru (Ueto Aya, Azumi) come upon a stowaway robot with a mysterious "Cipher" chip. Not knowing Cipher's powers, Apollo takes the chip for fun, throwing both him and Mikaru headfirst into a mind-boggling mystery that affects the past, present, and future.
They say that in 1600s, long before the invention of photography, a scientist named Fumagalli, was obsessed with the idea of reproducing images. He discovered that by killing a victim and removing his eyeballs it was possible to reproduce on paper the last image imprinted on the person's retina. He named such tecnique "Thanatography". Today, the same kind of gruesome ritual and abominable crimes r
As Haru emigrates from Japan with her family to the coffee plantations in Brazil, Natsu is left behind in the care of spiteful relatives. Losing all contact, each must make her own way in an unforgiving world. Hardships abound in the struggle to survive in war-torn Japan and in the face of anti-Japanese sentiment in Brazil, financial ruin, familial pressure, abandonment and lost love. However they also experience the precious joy of survival and success. Now, after 70 years, Haru comes back to Japan to find her estranged sister.
Kozue Ogawa is a housewife and has been married to Hideo for seven years. They don't have any children, but as they live with her parents at their flower shop, every day is still lively. She is happy with her life and her husband, but she wonders if it is enough. From time to time, she is gripped by this doubt that she cannot raise with anyone. Kozue starts a part-time job in the editing department of the magazine where she used to work. Her former colleague is now working hard as the editor-in-chief. One rainy day, Kozue meets a young man. He is Takuma Fukazawa, a high school student. He seems somehow shrouded in sadness. He is a dance teacher. In the dance studio, there is just the two of them. Takuma curls his hands around Kozue's body, and his dance instruction begins. Their unexpected closeness causes Kozue to hesitate. With her heart pounding, she pushes Takuma's hands away and runs home. But the throbbing in her chest continues. It can't be. But what is this feeling?
The 64th NHK Asadora Renzoku Drama is Churasan, a story of a young woman, Kohagura Eri, who was born in Kohamajima Island, Okinawa on May 15, 1972, the day when Okinawa was returned to Japan from the U.S. Eleven years later, Kamimura Shizuko and her two sons, Kazuya and Fumiya, from Tokyo come to stay as the guests of a small inn run by Eri’s family. Eri’s fun-loving, yet eccentric family welcomes them warmly. However, Eri is shocked to hear one of the sons, Kazuya is terminally ill and Shizuko and her sons came to Okinawa to spend his last moment together in beautiful nature. Fumiya, Kazuya’s younger brother, and Eri promise to marry each other someday. However after Kazuya’s death, Fumiya and his mother leave the island to go back to Tokyo. Years later, they are reunited, Eri as a nurse and Fumiya, a doctor, working at the same hospital in Tokyo.
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