The Wareckis, an average married couple, stop at a store returning home on New Year’s Eve. The husband goes shopping, the wife stays in the car and waits for him, hours go by but he does not return, in fact, nobody can find him anywhere... A series of seemingly minor events transforms these simple characters’ lives into a gripping horror-thriller, a wild and disturbing image of the impact of consumerism.
Set in Poland in the 1970s, the main character half-heartedly goes about his job as a censor at the state run television station, whilst conducting affairs with nurses, airline pilots, etc. Interesting scene where main character must illegally emigrate to his own country.
Berlin, 1990. At the invitation of his actor friends, who have already lived abroad for many years, Max, a Polish theater director, comes to Berlin. They begin to work together. They try to realize their dream: to stage a play, the staging of which was prevented by the imposition of martial law ten years earlier. The way they raise funds (selling pieces of the "historic" wall) and struggle against the heartless machinery of bureaucracy forms the axis of the film. In their efforts, the four protagonists are assisted by Regina, a translator familiar with local customs and practices. The film deals with the problems of artists in the new, commercializing reality. It is the story of strangers, auslanders who want to realize their dreams and ambitions outside their homeland. It raises topical issues of chauvinism, xenophobia and hatred of foreigners felt by both Germans and Poles.
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