Aya adapts Hyakken Uchida’s eponymous short story in which characters wonder whether they are alive or dead, as the reality of their existence is swept from under their feet.
Middle-aged widower Tetsuro finds an unconscious, homeless young man on the riverbank in his small seaside town. Offering him room in his home, Tetsuro and the man who calls himself Shinichi develop a father-son dynamic, despite the secrets that linger between them.
In the wake of the social unrest caused by the 1923 Great Kanto Earthquake, two female sumo athletes, Kiku and Tokachi, and an anarchist group called the Guillotine Society, spark an unlikely connection.
Sara and Ryo have been going out for 5 years. They take a trip from Tokyo to nearby Atami in November of 2017. Ryo is 28 years old and is getting ready for married life, but Sara isn't into the idea. More than antipathy to marriage, she resists the nebulous existence of the future itself.
A young woman, Ako, wanders around a sparsely populated housing estate in a rural city, Mito, where she spends her time speaking to objects and plants.
Ren struggles with the death of his longtime friend Kaoru. He finds a painting of a girl that Kaoru left behind. Ren sets out on a journey to find the girl.
Jobless young Tetsuo and his girlfriend Yuriko are inexplicably immobilized after laying eyes on an orb-like object that appears out of nowhere, setting into motion an enigmatic chain of events and an obsessive investigation by journalist Deguchi in this deadpan mystery that just might be a comment on the social malaise and inertia of 21st-century Japan.
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