In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.
A rescue of the history of Ipanema beach in the 1970s, when the construction of a pier changed the landscape and created fertile soil for a generation of artists and sportsmen.
Two years of research and visits to collections, cinematheques and museums; almost seventy interviews that generated 30 hours of recorded material; more than two hundred scanned photos and more than one hundred films watched. In total, more than a thousand hours of work were needed to prepare Brazilian Cinema in the 20th Century. The work is a fascinating journey through all the cinematic cycles that Brazil lived, from the pioneering Belle Époque, through the great studios like Atlântica and Cinédia, Cinema Novo, the urban comedies of the 70's, until the resumption in the late 90's. The documentary is unique, it gives the floor to who really wrote and lived this story intensely.
To save the family from bankruptcy, Christopher Columbus convinces friends Leonardo da Vinci and Mona Lisa to go to a treasure island. On the trip, they are attacked by the Beast Nautilus
Commander Vasco Moscoso de Aragão entertains the small town of Periperi with the stories of his many adventures travelling around the world as a captain of the merchant navy. Stubborn Chico Pacheco is the only one in town who doesn't believe his tales.
Paloma is a willful woman whose newborn baby is kidnapped by her own brother, Félix, who plans to become sole heir to the family’s fortune. Bruno is an honest man who, during the same night, loses his wife and son in childbirth and miraculously finds Paloma’s child in a dumpster. Destiny will unite their lives in a plot of secrets, revelations, and disputes, with the unpredictable consequences of lives based on a dangerous and surprising network of lies.
Naïve and provocative Gabriela is a raggedy migrant worker who arrives in town to mesmerize all with her playful and simple, yet raw sensuality. Set in 1925, the story unravels in Ilhéus, a quiet northeastern coastal city thriving with cocoa crops and aspirations for progress, even though the traditional ways still rule.
José Wilker Almeida (20 August 1944 – 5 April 2014) was a Brazilian film, stage, and television actor and director. The actor gained fame in telenovelas like Roque Santeiro (1985), but became known internationally for his role as Vadinho, the husband who returns from the dead to tempt Sônia Braga's character in the movie Dona Flor and Her Two Husbands (1976).
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