Director Manuel Mozos draws an intimate portrait of João Bénard da Costa, programmer, critic, actor and, for 18 years, director of the Portuguese Film Museum, who passed away in 2009.
The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.
A story about art and educated men, and how their art and culture reveal themselves useless in the face of the harsh realities of the 20th century life.
Joáo Bénard da Costa, director of the Portuguese National Film Archives [deceased in 2009], interviews the dean of contemporaneous film directors [96-years-old then]. Two humanists of different philosophical backgrounds, both with their long, entire lives dedicated to culture in general (music, painting, literature) and to film in particular, discuss freely, sometimes haltingly, the director's power as a creator or a magician, the philosophy beyond particular scenes in classic movies, film technique, the importance of color, sound and music to films, art versus entertainment, and much more. Their talk takes place in a museum room, seating in front of "The Annunciation" (a 1510 oil painting by João Vaz, a Portuguese artist), which eventually leads to a discussion of 'Leonardo da Vinci', and the relationship between a trend-setter master and his disciples.
An impossible love. Two young people who love each other. Vera and João can’t find in this life the space, time, or identity to resolve their love story.
A serious young man of free spirit is forced by his surroundings to become rich at all costs. A group of blind children tries to open the eyes of the unbelievers to the Christian faith. Retired nuns who open a brothel, to pay the running costs of the convent. These rather ironic paradoxes turn this fairytale into a philosophical fable.
Joaquim is a romantic supermarket employee. He has only one friend Gaspar, who speaks almost only for cinematic quotes. At leisure, go around town looking for the right woman. But when found, she throws herself from a balcony. Then comes a dance, as in a musical, and an obvious surprise... A movie about beauty and glory that has more love stories.
A look at the life and career of Vasco Santana, one of the most beloved actors of the Portuguese cinema.
Through a conversation with João Bénard da Costa and his ideas about the Portuguese cinema, an interaction between the construction of the documentary and the sights and sounds clips from some movies is established. Despite the difficulties, the films continue to exist and to resist. Is it worth it? What would happen if they disappeared? Each viewer must find their answer. This film aims to be an approach to Portuguese cinema in its hundred years of existence, opening, hopefully, ways for their dissemination and making light for its knowledge.
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