For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!
Filled with raunchy laughs, this documentary compiles outrageous scenes from sex-comedies that shaped Brazil's "pornochanchada" boom of the 1970s.
Adaptation of the series shown in 1986. Marcos and Lurdinha live in love in the 1950s. The young man is the son of separated parents and his mother, Glória, works as a cashier in a nightclub. The conservatism of the girl's family and the sexual repression of the time are factors that affect the couple's relationship.
Adapted from the homonymous work by Rachel de Queiroz, it presents the saga of a woman against female submission in nineteenth-century patriarchal society.
In the 1950s, Lurdinha and Marcos fall in love at the first sight. She studies at the Institute of Education, and he studies at the Military College. Two traditional educational institutions in 'Tijuca', in the North Zone of 'Rio de Janeiro'. But Lurdinha's conservative parents reject Marcos because he is son of separated parents and try, in every way, to keep him away from her.
Jece Valadão, born Gecy Valadão, (July 24 1930 — November 27 2006) was a Brazilian stage, film, and television actor, director, screenwriter and producer. He was famous for portraying womanizing, scoundrel types, and was proud of embodying this stereotype.
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