One day, you receive a present. And then another. And on and on. Till the present isn't a present anymore. It's a nightmare. And all because YOU are not Ivan Gallatin.
A mysterious lonely man and a young rebel woman, confront each other in a psychological drama about suspended identity.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
Canton of Neuchâtel, 1917 to 1933. A young watchmaker falls head over heels with a mysterious young woman. Jean and Anna get married, love each other madly and go through all life experiences together, supported by their happiness and friends at their side. Jean wants to invent a new waterproof watch, and the future looks promising. But Anna suddenly seems to suffer from a strange sickness which gets worse each day. Will Jean's love for her be enough to save her?
Chamonix in the 1930s was a resort where a cosmopolitan, fashionable and sporting society thronged, in search of novelties and thrills found in mountaineering. These people rub shoulders with the Chamoniards but do not meet except on the trails of Mont-Blanc. The accident of Joseph, the patriarch of Servettaz, guides from generation to generation, marked the spirits. It is his son Zian who decides to take up the torch. Married to Bianca, the daughter of the wealthy Milanese industrialist who was partly responsible for her father's death, Zian lives out her great love story - a threesome - with the mountain always remaining the most demanding mistress. Tired of the agonizing expectations and loneliness during her husband's ascents, Bianca returns to Italy, Zian joins her, but society life is not his world, he returns to Chamonix. During an outing in the mountains, Zian falls into a crevasse. Bianca, alerted by a presentiment, returns to the one she loves above all...
The vicissitudes of showbiz take the hero Renart (Gerald Battiaz) and his wife Hermeline (Francoise Dupertuis) from up to down and back again in this brief drama. Renart entertains at a nightclub by pulling objects out of a suitcase on stage and creating a wide range of sound effects with his collection of odds and ends. All goes well until his wife is fired from her job at the club because she is pregnant. That infuriates Renart, and he quits. The couple then take off for the mountains and open up a club of their own, but now when he is the owner, Renart is transformed for the worse.
To salve his guilty conscience an elder brother removes his disturbed younger sibling from a mental institution after a suicide attempt and tries to bring him back to mental competency through one on one contact. Free of the institution he continues to be haunted by dreams of a lost twin and chants the eerie phrase "Do I stand before the king?" It is the elder brother that seems doomed to lose himself in his brother's insanity.
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