Qia, a pesantren resident who had a bitter experience as a child, when villagers burned their houses and dragged and abused their mother. His life was further disturbed when Basri, a donor, proposed to him, because after marrying Basri he received wrongdoing. Qia was desperate to run away.
Intana is a mermaid who was stranded on the beach. She was found by a man named Domba who then took her home. The story unfolds when Intana is chased by Wan Abud, who tries to catch her. In his efforts to catch Intana, Wan Abud often uses Domba as his main target with a magic umbrella.
Kadir and Doyok never have any luck. They always get fired from any job they take. Most recently, Kadir and Doyok had been working at a company owned by the father of Lola (Diah Permatasari), but were going to be fired by the new owner, Abud (Fuad Alkhar), who had taken over the company. Kadir-Doyok then asked Lola why her father had sold the company to Abud, and it turns out that Abud had conned her father. Kadir and Doyok then try to expose the fraud. They succeed mostly because they happen to intercept a phone call meant for Abud.
Kadir and Doyok come to Jakarta looking for jobs. They run up against massive challenges due to their own lack of abilities. After they fail a magicians. They try becoming salesmen, then house painters, and then parking attendants. Finally, Rosa (Baby Zelvia), Kadir’s cousin, tries to help them, but, as usual, the whole thing comes to naught.
Dono (Wahyu Sardono), Kasino (Kasino Hadiwibowo) and Indro (Indrojoyo Kusumo) get lost and end up on an island where the only occupants are beautiful young women, except for the tribal chief (Tile) and his three obese daughters. Dono and friends are forced to flee the island when the chief decides they have to marry his daughters. Back at home, Dono meets up with Merry (Fortunella). As usual, Dono and Kasino, along with Indro and Merry, Winny (Kiki Fatmala) and Nia (Sally Marcelina) end up on the beach surrounded by lovely young women in bikinis. The relationships of these three pairs are extremely volatile. Suddenly, as man dressed in Arab garb, accompanied by bodyguards, shows up claiming that Merry has been designated as his wife in an arranged marriage. Kasino defeats the bodyguards, who end up in the hospital. The comedic scenes then shift to the hospital and eventually back to the trio’s home again before the film’s end.
Hara (Robert Syarief) does not approve of the relationships of his daughters, Rosa (Lia Waroka) and Ira (Kiki Fatmala), with Kadir (Kadir) and Doyok (Doyok Sudarmadji). However, eventually, because the persistent young men appear to be serious, Harja eventually agrees to allow Kadir and Doyok to prove that they are financially independent enough to make it on their own. The two young men then scramble to try to find a way to make some money. First, they try working in a bakery, then they gets jobs as cooks, and then at a poultry farm, etc. They fail at everything they try. A sub storyline tells about Abud (Fuad Alkhar) who is extremely eager to get married.
The people of Pandanwangi village are upset at news that their land will be appropriated by a large conglomerate. Conflict over the land emerges and escalates between the villagers and representatives of the conglomerate. The villagers have come to view the situation as more of a matter of morality than of land ownership after finding out that a bar and billiards center will be built there. The head of the village’s Islamic boarding school, H. Murad, who is assisted by H. Rhoma, attempts to influence the villagers to refuse to sell their land. Eventually, the charismatic religious leader KH Zainuddin MZ succeeds in mediating the conflict, and even influences the conglomerate owner, Bustomi (WD. Mochtar), to rethink his plans. The land conflict theme of this film is interesting in that it reflects the social issues arising out of the rapid pace of development of the time. This may be Rhoma Irama’s best film, even though it was not very popular.
Fuad Alkhar was an Indonesian actor. This Betawi man is famous for his Arabic face which causes him to often play characters with an Arabic accent. His heyday in motion pictures took place in the 90s. However, in 2015 he returned to supporting cinema by playing in the film "Harim di Tanah Haram". Apart from being an actor, Fuad also has a side business in the field of bridal make-up and wedding package services
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