Three rural, working class garment factory girls - a pampered prima-Donna (Mangala), a safe runner (Swineetha) and a tormented vixen (Gothami) go through trials and tribulations of their bitter sweet youth in a liberalized industrial zone in the city. Lovelorn Gothami makes life difficult for everyone around her and creates her own tragedy by obsessively falling in love with her pretty friend Mangala's sexually frustrated lover, Vipula. The carefree existence of the three girls end in catastrophe and gothami disappears. An accidental meeting of the two girls after several years results in a confession by the ever winning Mangala. the revelation shocks Gothami. Perhaps for the first time Gothami sees life, winning and losing, suffering and salvation in a completely different perspective, which she never thought existed.
Kala Keerthi Dharmasiri Bandaranayake (born 06th of October 1949) is a Sri Lankan film director and playwright. Particularly work as a playwright, Bandaranayake is an artist who attempts to connect the sociopolitical environment with civil society through art. Bandaranyake's debut Hansa Vilak in 1980 dealt with facets of a society at odds with itself. His other films like Thunveni Yamaya (1983), Suddilage Kathaawa (1984), Bawa Duka and Bawa Karma (1997) followed similar themes. Two films Bawa Duka and Bawa Karma challenged the repressive dogma of Buddhism in Sri Lanka. Common arcs in Bandaranayake's films follow the conflicted lives of men and women, the transformation of private lives into public affairs, the unpleasant reality of marriage and society and the dark side of human desire. He produced many stage plays such as Eka Adhipathi, Makarakshaya, Dhawala Bheeshana, Yakshagamanaya and Trojan Kanthavo have all dealt with current issues of national and political importance. In 1999, Bandaranyake first staged the play Trojan Kanthawo which adapted Euripides' Greek drama The Trojan Women for a Sinhala and Tamil audience. It is meant as an anti-war statement and proved to be controversial with the Sri Lankan government despite critical acclaim. Bandaranayake received several death threats in 2001 after he made plans to stage the play in predominantly Tamil areas.
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