A biopic of 20-year-old Francis Ouimet who defeated his golfing idol and 1900 US Open Champion, Harry Vardon.
This is the 2004 version of Kaija Saariaho's opera performed by the Finnish National Opera and conducted by Esa-Pekka Salonen.
Headlined by Dawn Upshaw, Lorraine Hunt Lieberson and Willard White and orchestrated by the Berlin German Symphony Orchestra, this Nativity oratorio from composer John Adams tells the magical story of the birth of Christ. Conducted by renowned maestro Kent Nagano, this moving experience draws on both Old World and New World sources to re-create this influential story, highlighted by Adams’s trademark minimalism and melody.
In 1992, Olivier Messiaen's epic opera "Saint François d'Assise" was brought to the Salzburg Festival in a staging by Peter Sellars. The distinct visual appearance that Sellars lent to the opera, where video monitors with powerful images are used as a sort of high-tech metaphor for a cathedral's stained glass, drew critical acclaim and is still talked about as a watershed moment in opera to this day. This film here is a 75-minute documentary on the 1992 staging. Jean-Pierre Gorin filmed Sellars, baritone José van Dam (St. Francis) soprano Dawn Upshaw (The Angel), and the LA Philharmonic and conductor Esa-Pekka Salonen as they rehearsed for the big day. There are interviews with these artists, though Sellars gets most of the screen time. The documentary is very much about Sellars' vision for Messiaen's theatrical drama. Very little is said about Messiaen's music.
The Rake's Progress is an English-language opera from 1951 in three acts and an epilogue by Igor Stravinsky. The libretto, written by W. H. Auden and Chester Kallman, is based loosely on the eight paintings and engravings A Rake's Progress (1733–1735) of William Hogarth, which Stravinsky had seen on 2 May 1947, in a Chicago exhibition. Filmed in Aix-en-Provence, 1992.
Jessye Norman is a regal Ariadne, the mythological Greek heroine in this opera-within-an-opera, opposite the passionate Bacchus of the great James King. Kathleen Battle delivers the coloratura fireworks of Zerbinetta, the leader of a commedia dell’arte troupe that finds itself stranded on Ariadne’s island. Tatiana Troyanos and Franz Ferdinand Nentwig star as the young Composer and the Music Master in the opera’s prologue. James Levine brings out all the color and charm of Strauss’s brilliant chamber-sized score with its equal amounts of pathos and humor. Bodo Igesz’s production features sets by esteemed designer Oliver Messel.
Dawn Upshaw (born July 17, 1960) is an American soprano. She is the recipient of several Grammy Awards and has released a number of Edison Award-winning discs; she performs both opera and art song, and her repertoire spans Baroque to contemporary. Many composers, including Henri Dutilleux, Osvaldo Golijov, John Harbison, Esa-Pekka Salonen, John Adams, and Kaija Saariaho, have written for her. In 2007, she was awarded a MacArthur Fellowship. Dawn Upshaw was born in Nashville, Tennessee. She began singing while attending Rich East High School in Park Forest, Illinois and was the only female ever promoted to the top choir (the Singing Rockets) as a sophomore, according to choir director Douglas Ulreich. She received a B.A. in 1982 from Illinois Wesleyan University, where she studied voice with Dr. David Nott. She went on to study voice with Ellen Faull at the Manhattan School of Music in New York City, earning her M.M. in 1984. She also attended courses given by Jan DeGaetani at the Aspen Music School. She was a winner of the Young Concert Artists International Auditions (1984) and the Walter M. Naumburg Competition (1985), and was a member of the Metropolitan Opera Young Artists Development Program. Since her start in 1984, Upshaw has made more than 300 appearances at the Metropolitan Opera. Upshaw came to international fame with her performance on the million-selling recording (1992), with David Zinman, of Symphony No 3 by Henryk Górecki, known as the Symphony of Sorrowful Songs (Symfonia pieśni żałosnych). She has premiered more than twenty-five new works, notably Henri Dutilleux's song-cycle Correspondances, and has embraced several pieces created for her, including the Grawemeyer Award-winning opera L'Amour de Loin by Kaija Saariaho, The Great Gatsby by John Harbison, the nativity oratorio El Niño by John Adams, and Osvaldo Golijov's highly acclaimed chamber opera Ainadamar and song cycle Ayre. In 2009, she premiered David Bruce's song cycle The North Wind was a Woman at the gala opening of the Chamber Music Society of the Lincoln Centre's season. In addition to her operatic recordings, she has also sung the title role in the first complete recording of the score of Gershwin's Oh, Kay!. She has also recorded albums of songs by Vernon Duke and Rodgers and Hart. Upshaw was a guest of President of the United States Bill Clinton and Mrs. Clinton on the NBC special Christmas in Washington. The BBC presented a prime-time telecast of her 1996 London Proms Concert, Dawn at Dusk, in which she performed songs from American musical theater. Her engagements with James Levine over many years led to a 1997 recording of Claude Debussy songs. Upshaw appears on an album of Christmas music in association with the male vocal ensemble Chanticleer titled Christmas with Chanticleer featuring special guest Dawn Upshaw for Teldec Classics. ... Source: Article "Dawn Upshaw" from Wikipedia in English, licensed under CC-BY-SA 3.0.
By browsing this website, you accept our cookies policy.