This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.
After years spent in Paris, Clotaire Sangala returns to his native country, Africa. Raised by a Chinese martial arts grandfather, convinced to have been found in a garbage can, Clotaire knows nothing of the glorious past of his parents. He will become "Black Snake", the masked and ultra-sapped superhero, liberator of the people against the dictator Hezekiah.
At a wedding where the husband runs away, everyone has his own story to tell about the trivial misfortune of a person in love with someone that slips away. The guests paint a full picture of clumsiness, lies, and bad luck, that makes impossible, whatever the age, all attempts of seduction... or close enough !
Lea opens an agency where anybody can rent her to play the part the clients need: a daughter, a girlfriend, a customer, you name it...
Ulysses, an idealistic, novice film director, invites Clothilde, his young and pretty neighbor, to accompany him to the Love Film Festival on Réunion Island, where his debut film has been selected. Unfortunately, the day before they're due to leave, Ulysses learns that his film has been removed from the program. Afraid of disappointing Clotilde, he hides the truth and flies with her to Réunion, determined to do everything in his power to get his film back in the official selection and, at the same time, win the favors of the young woman, who dreams of becoming an actress. But Ulysses must cope with internal rivalries and struggles behind the scenes if he wants love and cinema to triumph.
Coco Baisos, a mature woman who likes to lead a big train, finds herself once again a widow, the fifth to be more precise. Bursting with energy and natural optimism, Coco is firmly determined not to be put down by fate. She immediately starts looking for a new companion, preferably a billionaire, so as not to have to give up her habits of luxury and pomp. She would indeed be very unhappy if fate forced her to modify her lifestyle. But the wallets trimmed do not run the streets. This manhunt, longer than expected, will hold many surprises for him ...
A cottage inhabited by a peasant, crazy painter in his spare time, who only paints naked women. After his death, another farmer decides to transform the place into a brothel which quickly attracts the notables of the area. But all those who come disappear one by one.
Directed by French Director Christian Faure and released in 2014, The Law brilliantly traces three days, in late Fall 1974, of stormy debate in the French National Assembly, around a bill which would make "voluntary termination of pregnancy" legal. Behind this bill stands a lone woman brilliantly played by a remarkable Emmanuelle Devos (also in The Other Son): Simone Veil the Minister of Health in the Jacques Chirac government during the presidency of Valéry Giscard d'Estaing. During these three days of violent debate Veil, a Jew and Holocaust survivor, is spared nothing: political negotiations, solitude, sparring arguments, insults and violence to her family. In spite of all of this, Veil never wavers.
Bernard Ménez (born 8 August 1944, in Mailly-le-Chateau) is a French actor. He has appeared in more than seventy films since 1969. Source: Article "Bernard Ménez" from Wikipedia in English, licensed under CC-BY-SA 3.0.
By browsing this website, you accept our cookies policy.