Modern Ethiopian big band orchestra music finds its unlikely origins in the royal adoption of 40 Jerusalem orphans of the Armenian Genocide by Emperor Haile Selassie. Their presence as the first royal imperial band would make way for the composed music of Ethiopia's first national anthem, the popularization of brass instruments, and in later decades, a jazz revolution that sweeps the country before descending into the throes of the communist Derg regime. Told through first-hand accounts with Ethiopian jazz greats such as Alemayehu Eshete, Mulatu Astatke, Girum Mezmur, as well as Sammy Yirga and while following Vahé, the only performing Armenian singer / musician in Addis Ababa, TEZETA opens the musical door to a light of memories of a jazz club, a beloved teacher, and a golden musical era forgotten by many.
The story of how the Western world was first introduced to the musical history of Ethiopia, through the `Ethiopiques' CDs and the mastermind behind them, French music journalist, Francis Falceto.
First aired on TV on the BBC Two on 29 September 1989, this second episode of the documentary series "Under African Skies", a grand project aimed at presenting the rich diversity of contemporary African music of those days and known for its unforgettable memento "A celebration of the new sounds of a continent. " traverses the nostalgic roots and the euphoric contours of Ethiopian music of the '80s.
Despite a 1948 Imperial edict banning the distribution of Ethiopian pop music, Amha Eshete launched a record label, Amha Records, and released 103 singles and a dozen albums by Ethiopian artists between 1969 and 1975. In addition to making Ethiopian music known throughout the world, Eshete helped to spark a modern period of creativity in his homeland. During an interview in the early '90s, Eshete said "I had a gut feeling that it was the right thing to do. I took the risk." The governmental resistance against Eshete's efforts ultimately proved insurmountable. By the mid-'90s, Eshete had immigrated to the United States.
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