Berlin, 1990. At the invitation of his actor friends, who have already lived abroad for many years, Max, a Polish theater director, comes to Berlin. They begin to work together. They try to realize their dream: to stage a play, the staging of which was prevented by the imposition of martial law ten years earlier. The way they raise funds (selling pieces of the "historic" wall) and struggle against the heartless machinery of bureaucracy forms the axis of the film. In their efforts, the four protagonists are assisted by Regina, a translator familiar with local customs and practices. The film deals with the problems of artists in the new, commercializing reality. It is the story of strangers, auslanders who want to realize their dreams and ambitions outside their homeland. It raises topical issues of chauvinism, xenophobia and hatred of foreigners felt by both Germans and Poles.
Henry Kesdi is a silenced classical composer and a survivor of the Holocaust. He is coaxed out from retirement by an inspired musicologist, Stefan, who convinces him to compose a complex symphony on his neglected piano. As a help Kesdi gets his new musical secretary. His loyal wife reluctantly accepts her as his young lover.
This sumptuously photographed period drama is set in 1791 Vienna. Maximilian Bardo, an opportunistic 18-year old Viennese man with aspirations to rise above his bourgeois upbringing, looks for a chance to shoehorn himself into the nobility. His hopes lead him to the castle of a wealthy inventor, Alexander Plant. It is here that a strange story is played out, as Maximilian, full of naive illusions and innocent ideals of what it means to be wealthy and noble, quickly loses his innocence. Falling prey to the jaded aristocrats in residence, he is cruelly initiated into their decadent games.
In the 18th Century, in Bohemia, a government surveyor meet a priest during a lunch and remained intrigued by him. Years later, in a stony valley, the two men meet again and form a deep friendship.
The story of Polish pedagogue Janusz Korczak and his dedication to protecting Jewish orphans during the war.
As high school students put on a politically-engaged school play, tensions begin to rise between them and their headmaster. The conflict seems to mirror the social situation in the 1980s Poland.
Dorota Geller, a married woman, faces a dilemma involving her sick husband's prognosis. Her husband's doctor, who believes in God, sweared about it in vain.
A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.
This sarcastic drama is taken from the popular Hungarian novel by Tibor Dery. A terminally ill writer (Jozef Kroner) of national prominence watches as family and friends gather like vultures for his imminent demise. Relli (Alexander Bardini) smiles and pretends to be the writer's friend as he tries to get his hands on an unpublished manuscript. The opening scene is the highlight of the film. While the dead writer is being laid to rest in a national funeral, he emerges from the coffin and walks into his own grave while the mourners flee in terror.
1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.
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